Mar 7 2010

The John Adams Obsession

So lately I’ve been borderline obsessed with John Adams (the composer, not the American president). His work has hit me in ways best described as inspirational. Music hits me with all sorts of emotions, but inspiration is rarely one of them. It makes me want to get out and do stuff. It makes me want to study composition more. A lot more. It makes me want to create something as beautiful and fun as what he’s created.

Start off with this one. If it alone isn’t enough to make you want to look through his other stuff then, well, I don’t know what to say.
A couple of my other favourites are the Chairman Foxtrot, Short Ride in a Fast Machine and Lollapalooza.

-Travis Conrad

ps I have a new twitter


Mar 1 2010

Iambic Pentameter II

a thought, a spark, an ill forgotten gain
a common bond that man would not sustain
though men can see the err through which he’s grown
if he will change his course remains unknown

-Travis Conrad


Jan 27 2010

A Harp Seems Appropriate

So I started working on my elegy composition and I’ve been exploring a lot of different avenues. It has to be well composed, fluent throughout and above all, beautiful. While experimenting on the piano I stumbled upon a melody containing only five different notes, and it was just the ticket. Just the sound I’d been looking for. And it occurred to me, why not make the entire opening using a pentatonic scale?
And so I did.

This is the opening ten bars, it really sets the mood for the whole composition. And I have to say it, I really love the harp as an instrument. It’s perfect in so many ways. I could listen to harp music all day, and I’m sure one day I’ll make a playlist full of it and do just that. So yea, this is the pentatonic harp opening. So lush, I’m very happy with it.

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Off to see the Last 5 Years at the Grand tonight. Word on the street is it’s pretty good. I’m fond of Jason Robert Brown’s work for the most part. What I’ve seen of 13 I wasn’t too crazy about but I never really gave it an honest chance. But the Last 5 Years…. so good.

-Travis Conrad

P.S. Tip of the day: Don’t put zuccini… zuccini? zuchini? zucchini? zucchini….. don’t put it in soup. Adds little taste and ends up looking like pickles. #gag


Jan 25 2010

2010 Sounds So Futuristic…. Amirite?

Grilled swiss and avocado, with butternut squash soup. Lunch is quickly becoming my favourite meal of the day.

Grilled swiss and avocado, with butternut squash soup. Lunch is quickly becoming my favourite meal of the day.

Sorry for the lack of updates. I’ve been a terribly blogger, but I’ve joined a self-help group about it and am working to improve a wide array of blog-related skills. Started working on a requiem type piece, starring flute and cello. I have the instrument ideas mapped out on paper, but the melody is still a mystery to me. I have a strong feeling about it.

Then there’s the musical. Remember? That thing I’ve been working on for the past two years. Oh yea, THAT musical. Dysfunction, I think that was the name of it. Guess what. DEMOS. That’s right. One song has already been recorded. It’s the almost-love song, with Cam and Charlotte, sung by my amazing friends Daniel Wheeler and Steph Savage. I’ll have that posted in a little bit. Turned out legendary. You’ll probably cry when you hear it… just saying. NBD.

So 2010 has started with wide-open floodgates. So much has gone down and it’s barely been three weeks. Stay tuned children, stay tuned.

-Travis Conrad


Oct 9 2009

We’re Opening Doors

So, totally doing this score for my friend’s short 5 minute film.
Gonna have it done for tomorrow.
Love working under pressure and deadlines, and no, that’s not sarcasm.
I’ve come up with a stupid amount of music ideas, it’s actually ridiculous.

Sidenote: I NEED to get Garageband, it’s not even a question of want anymore. Jeeeeeeeeeeeeeeze.

Sidenote: Totally loving being a vegetarian (still have fish and rarely chicken/turkey. RARELY.) Omnomnom feel fantastic, tofu is my new best friend.

I’ll post the score soon, you’ll like it, I prom.

-Travis Conrad

*****UPDATE*****

Here’s the opening for the short film. The film is called Erin.
We wanted to keep the score simple, so I stuck with piano and strings for the majority. ‘Melancholy made Beautiful’ was the theme to reflect the film. Check it out, let me know what you think.

The Beautiful Mean – Opening

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Motif for a Letter I – Charlie receives the first letter from Erin.

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Motif for a Letter II – Charlie and Erin’s correspondence / Erin stands him up.

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Motif for a Letter III – Conclusion

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Sep 21 2009

SEPTEMBER.

WORK.
SWEET POTATOES.
SUPERSTORE.
VEGETARIANISM.
DUNGEONS.
DRAGONS.
DYSFUNCTION.
SHEET MUSIC.
SINGERS.
CANCELLATIONS.
COUSCOUS.
TIEFLINGS.
FAMILY.
WINE.
MORE WINE.
HIMYM.
COOKING.
TWITTER.
ROSEMARY.
PURPLE COUCHES.
CHORDS.
FINALES.
NPH.
CLAY.
PHOTOS OF BOGS.
PROCRASTINATION.
HARMONIES.
NO MONIES.
GOOGLE CHROME.
CHICK PEAS.
PIANO.
SLEEP.
VAGUE REVIEW OF A MONTH OR SAD ATTEMPT TO JUSTIFY DOING NOTHING ALL SEPTEMBER.
QUESTION MARK.

-TRAVIS CONRAD.


Aug 19 2009

Festive Waltz goes Latin

So lots of exciting stuff has been happening. Between my job going awesomely, the excitement of designing the set for Western’s Big Purple Couch, having my friend’s string quartet learn my rendition of O Canada, running a D&D campaign with some friends and finally recruiting some singers to help me make some demos for Dysfunction, I’ve had next to zero down-time.

Unfortunately, the aformentioned events offer nothing to share on my blog (yet!!), but give it a month and I’ll have real updates about stuff! Big stuff! Cool stuff! Stuff that will make not hate my blog so much! Haha, so as a peace offering, I’m giving you a sneak listen of this version of my Festival Waltz that I’ve been working on. I wanted to give it a latin/blues feel, so it’s got some sax, marimba, pizzicato, bass, lil bit of steel drum. It’s different. Darcy (@darcypatrick on twitter) is trying to convince me to arrange it for string quartet, but we’ll see.

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Hope everyone’s summers are going as great as mine.

-Travis Conrad


Jul 29 2009

Some Random Music

Yesterday I was trying to convert some new songs I have been working on from .midi form (which I do my notations in) into .mp3 files, but the site I normally use (HamieNET) was down.

I was not impressed.

And as is usually the case in these situations I promptly looked for alternative free routes.

And that lead me to the Direct MIDI to MP3 Converter. It may not be free but it’s got a great 30 day trial which I’m VERY pleased with. It comes with it’s own soundfont and makes adding new soundfonts incredibly simple. The sound is crisp and clear which is a huge step forward; HamieNET’s conversions (as I’m sure you heard) tended to get scratchy. Not these. And it lets you control the reverb and adjust individual track volumes as you’re about to convert your files which is just fugging awesome. Needless to say I’m very impressed. It may not be garageband but it’s the best I have to work with right now and it’s a hell of a lot better than what I was using.

So in light of the new renderings at my disposal, I thought I’d share some of my older, pre-Dysfunction stuff here on the ol’ blog. It’s all classical/instrumental shit stuff, so I hope you like it, let me know what you think.



This one’s aptly named ‘Orchestration 4′. Really got the creative juices flowing on that title. This was the first time I ever really toyed around with percussion instruments, as well as weaving motifs throughout a song. SO MUCH fun to write. It’s for strings, harp, glocksenspiel and numerous percussions, along with the occasional orchestra hit.

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This second one is called ‘To London’. It’s a piece I was writing in dedication to my city (here in Ontario, not the one cross the pond). It’s got a bit of a jazzy feel, I was aiming for something kinda urban although I think I failed at that. I worked on it for a couple days then got bored so it’s not even close to being finished. It’s for full orchestra.

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This final one here was a string quartet piece I was working on called ‘Orsus’, being Latin for ‘a beginning, undertaking, or initiative’. I thought of it as one of the first more serious pieces I worked on, and so ‘a beginning’ referred to the beginning of the wonderful things I would write (roflmao, talk about delusions). It’s very slow and not even CLOSE to being done, but this new rendering sounded amazing compared to the old version so I might just be inspired enough to work on it again.

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On a side note, I rearranged my room last night!!!111!!1!1!! I know you’re as excited as I am. There’s something about newly rearranged rooms that inflicts me with such joy. It’s a sickness really… and it runs in my family. My mom didn’t work on Fridays when I was younger and so more often then not, we’d come home from school and the living room would be turned around or the computer would be in the basement or somehow the couch found it’s way onto the back patio. -sigh- Goooooooooodtimes.

-Travis Conrad


Jul 16 2009

Septet Music

MUSIC UPDATED: July 20th, ‘09

So I’m working ever diligently on the Dysfunction Septet and I’m extremely satisfied with how it’s coming along. Looking back at my past work I concluded that I do better work when I write for multiple instruments rather than just piano, so with that in mind I’m writing the Dysfunction Septet for piano and violin so far, possibly adding more as I feel the need. I’m thinking I might throw in a double bass or cello, but we’ll see. We shall see.

In general though, this song is so much fun to write. Tonnes of emotion upwelling with every line, characters are pissed, nerves are raw, it’s awesome. The song was inspired by the Tonight Quintet in Westside Story (the name is a major nod to it). The way that the Quintet elevated tension and brought all the different plot lines up to speed in WSS worked so well that I thought a similar format would be perfect for the scene in Dysfunction. The Septet is going to contain a handful of melodies that weave in and out of depending on the characters on stage, but all of them sing the Septet melody at some point. It’s going to be legendary.

The song opens with Cam, Peter and Ryan at their office, with Cam debating what to do about Charlotte, and he’s singing a very flat and monotone version of the Voicemail refrain. The ending of that grows dramatically and then Pete and Ryan get on his case about being stupid for giving up. It’s here that we hear the Septet melody for the first time. The melody is sung over this awesome chord (which you’ll hear in the clip below) composed of D#, E and G#. It’s an inverted major 7th chord without the fifth. Very jarring and dissonant. After that (which is where the clip ends) the scene switches to a brief solo with Cam, then over to Kim, Natalie and Justin for a brief spell, followed by an intense duet with Kim and Cam, that quickly grows more complicated and dysfunction. And then, well, then we have the 7th person in our Septet. And it’s fracking awesome.

Just the music for the first little bit. Let me know what you think.

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Off to Mom’s to introduce her to the amazing show that is Brothers and Sisters.

-Travis Conrad


Jul 16 2009

Iambic Pentameter I

a world so dark one marks at how it lasts
and how peace did survive it’s savage pasts
with greed so deeply planted in her fields
it’s all the wonder fruit is what she yields

-Travis Conrad